Desaturated High Contrast Effect for Commercial Portraits in Photoshop | Brian Rodgers Jr. South Bend Commercial Photography

hidden Photoshop gem: you can use adjustment layers and simply change the blend mode without having to use the adjustment layer for it’s intended purpose.

In this tutorial I will show you how to get that really cool desaturated high contrast portrait look you see in so many commercial portraits. Now keep in mind, this is only one way to achieve this effect. We start by duplicating the layer twice; press Command + J and Command + J again. Select you first copy (should be your middle layer) and press Shift + Command + U to completely desaturate the layer. Change the opacity of that desaturated layer to 40%. Then turn on your top layer (copy 2) and change the blend mode to soft light (Shift + Option + F). Lastly change the blend mode to about 50% opacity. Keep in mind that each image will be a little different. Now, that’s one way to do it, on to tip #2! 

Tip#2, Now we are going to achieve that same effect using adjustment layers and blend modes. This time, start from your base layer and add a black and white adjustment layer above that. Set the opacity of the black and white adjustment layer to about 40%. Now create a curves adjustment layer above that. Change the blend mode of the curves adjustment layer to Softlight (Shift + Option + F). Now set the opacity of the Softlight adjustment layer to around 50%. Boom, same results achieved. 

So what’s the difference between these two methods? Well, by using adjustment layers instead of duplicating your base layer, you are creating a smaller Photoshop file, thus saving hard drive space. If you have a Photoshop file with a few layers, the first method is just fine. However, when you retouching commercially, chances are, your files will be growing Popeye arms in no time. So working smarter in Photoshop can not only save you time (because your files will run and save faster) you will also save money (takes less hard drive space; consuming less storage and working faster puts more money in your pocket). 

 

Lastly, this is a hidden Photoshop gem: you can use adjustment layers and simply change the blend mode without having to use the adjustment layer for it’s intended purpose. For example, in this tutorial, I didn’t use the Curves Adjustment Panel to modify the curve in any way shape or form. I simply added the adjustment layer, and used it for a blend mode, which is the same as duplicating a layer and changing the blend mode…the only difference is, adjustment layers are much smaller and rarely add to the size of your Photoshop file. Furthermore, you can use almost any adjustment layer in this manner. You can do the same thing with Bightness/Contrast, Levels, Curves, Exposure, Brightness, Hue/Saturation, Color Balance, Channel Mixer, Color Lookup, & Selective Color, I just tend to stick with curves (personal preference). You may notice that I didn’t mention all of the adjustment layers. Here’s why: When you add a Black and White Adjustment Layer, an effect is automatically applied, you can still change the blend mode, but you cannot use the adjustment layer simply for the blend mode. Same goes for the Photo Filter adjustment layer, as soon as you apply that adjustment layer, it applies an effect automatically, thus changing the image before a blend mode is applied. 

There you have it, two 2 tips in one this week! 

Rock N' Roll!

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Brian Rodgers Jr.

Brian Rodgers Jr. is an American Advertising Federation award winning commercial advertising photographer and digital artist based out of South Bend, Indiana. He's the founder and owner of Digital Art That Rocks™ and specializes in product photography and architectural photography with an emphasis on high end retouching and post production.

With an affinity for creative thinking, visual communication and meticulous post-production, Brian has elevated brand visuals for a diverse clientele, partnering with SMBs, advertising agencies and global corporations, to translate ideas into powerful visual narratives. His commitment to aesthetic excellence and the transformative power of high-end commercial retouching has helped define his contribution to the creative industry, empowering clients to showcase their brands with unparalleled clarity and impact.

In addition to working with clients nationwide, Brian has also had the opportunity to travel the country to photograph some amazing architectural projects for architecture firms, museums, exhibit design companies and custom fabrication firms that feature immersive media and experience design.

Brian has provided high end retouching & post-production services to renowned brands like Snickers & Razer. His work has been featured on the cover of numerous publications including Photoshop User Magazine. He’s created a Youtube video on the subject of beverage photography that quickly reached over 1 million views! He’s also developed, produced and delivered high level education through commercially available product photography tutorials. These tutorials not only have a global audience, they've also made a positive impact to the careers of future creatives.